The Swedish artist Annika Larsson (born 1972, lives and works in New York) trains her attention on casual but forceful male gestures. The installational video works she has created over the past four years, which are seen together at a museum for the first time here, decode and disclose gender- specific and hierarchically determined behavioural patterns. Annika LarssonŐs cast consists exclusively of well-dressed men whose relational networks differentiate themselves in a suggestively erotic,

unending arc, only to relativise themselves again. Narrative in approach and structured by compelling musical rhythms, the videos insistently draw out individual moments: narrative building blocks are isolated and stereotypes long familiar to us from Hollywood films are explored in slow motion